Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet.

Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brushstrokes and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.

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Page 8 of 92   Paintings: 1100
The Kiss - Henri De Toulouse-Lautrec - www.post-impressionism.org
The Kiss
Henri De Toulouse-Lautrec
A European woman in Algeria, 1910 - Louis Remy Sabattier - www.post-impressionism.org
A European woman in Algeria, 1910
Louis Remy Sabattier
Antibes, the Pink Cloud, 1916 - Paul Signac - www.post-impressionism.org
Antibes, the Pink Cloud, 1916
Paul Signac
Forest - Paul Cezanne - www.post-impressionism.org
Forest
Paul Cezanne
A Blizzard on the Barrier - George Marston - www.post-impressionism.org
A Blizzard on the Barrier
George Marston
A Cockerel - Joseph Crawhall - www.post-impressionism.org
A Cockerel
Joseph Crawhall
A Modern Olympia - Paul Cezanne - www.post-impressionism.org
A Modern Olympia
Paul Cezanne
Hortense Breast Feeding Paul - Paul Cezanne - www.post-impressionism.org
Hortense Breast Feeding Paul
Paul Cezanne
Harlequin - Paul Cezanne - www.post-impressionism.org
Harlequin
Paul Cezanne
King John signing the Magna Carta reluctantly - A.C. Michael - www.post-impressionism.org
King John signing the Magna Carta reluctantly
A.C. Michael
A Bend In The Road - Paul Cezanne - www.post-impressionism.org
A Bend In The Road
Paul Cezanne
Peaseblossom, costume design for
Peaseblossom, costume design for "A Midsummer Night's...
C. Wilhelm

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Page 8 of 92   Paintings: 1100