Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet.

Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brushstrokes and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.

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Page 8 of 92   Paintings: 1100
Apricot Trees In Blossom II - Vincent Van Gogh - www.post-impressionism.org
Apricot Trees In Blossom II
Vincent Van Gogh
Hortense Breast Feeding Paul - Paul Cezanne - www.post-impressionism.org
Hortense Breast Feeding Paul
Paul Cezanne
The Kiss - Henri De Toulouse-Lautrec - www.post-impressionism.org
The Kiss
Henri De Toulouse-Lautrec
A Blizzard on the Barrier - George Marston - www.post-impressionism.org
A Blizzard on the Barrier
George Marston
A Modern Olympia - Paul Cezanne - www.post-impressionism.org
A Modern Olympia
Paul Cezanne
A Bend In The Road - Paul Cezanne - www.post-impressionism.org
A Bend In The Road
Paul Cezanne
A European woman in Algeria, 1910 - Louis Remy Sabattier - www.post-impressionism.org
A European woman in Algeria, 1910
Louis Remy Sabattier
Vase With Twelve Sunflowers II - Vincent Van Gogh - www.post-impressionism.org
Vase With Twelve Sunflowers II
Vincent Van Gogh
Woman with a Double Bass, 1908 - Suzanne Valadon - www.post-impressionism.org
Woman with a Double Bass, 1908
Suzanne Valadon
95 Degrees in the Shade, 1912 - Arthur Wilde Parsons - www.post-impressionism.org
95 Degrees in the Shade, 1912
Arthur Wilde Parsons
Stained Glass Window 1904 - Odilon Redon - www.post-impressionism.org
Stained Glass Window 1904
Odilon Redon
Harlequin - Paul Cezanne - www.post-impressionism.org
Harlequin
Paul Cezanne

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Page 8 of 92   Paintings: 1100